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Scooped by
Alessio Erioli
onto a3 UniBo |
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Drawing Matter begins with the drawing itself. Our interest is in architectural drawings that fall under the rubric of architecture and prompt us to think again: about the practice of drawing, about the intentions and conventions created by drawings, about the real and imaginary architectures they produce; what drawings might be ‘for’ and what the designer’s hand might be showing, or doing, that the building cannot.
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a3 UniBo
extended brain and archive for a3 Architectural Design Course @ Università di Bologna Curated by Alessio Erioli |
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Theverymany describe their own Zephir installation
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Distributed Robotic Assembly System for In-Situ Timber Construction Samuel Leder, M.Sc. Ramon Weber, M.Sc. Thesis Advisers: D. Wood, O. Bucklin Thesis Supervisor:…
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cambridge-based firm matter design has unveiled research on seemingly 'weightless' concrete forms that can be easily moved using only your hands.
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Scooped by Alessio Erioli |
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Drawing Matter begins with the drawing itself. Our interest is in architectural drawings that fall under the rubric of architecture and prompt us to think again: about the practice of drawing, about the intentions and conventions created by drawings, about the real and imaginary architectures they produce; what drawings might be ‘for’ and what the designer’s hand might be showing, or doing, that the building cannot.
An excellent series of articles and first-hand reports on the drawing as a tool for dissection, investigation, creativity and research, revealing often forgotten links and paths and unsuspecting connections. What links Aldo Rossi with Jesse Reiser? Or Stan Allen with Rafael Moneo? How did Zaha embedded context relations in her drawings? Why were early Zaha and OMA sketches so similar that they could be mistakenly attributed?
This isn't a drawing revival nostalgic post, rather the opposite: an invitation to move beyond the drawing by understand contemporary medium and technium as the same kind of apparatus shaping our subject-knowledge and the object of our attention/creation with the same critical attitude and exploratory intent.
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Talk about large prints....
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UNStudio has provided a two-part article to introduce various digital geometric block strategies used for UNStudio projects. Th
A closer look at some of UN Studio self-named "block strategies", or, on how to make a project modular to manage complex variety (almost) without giving away the trick
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Knitted concrete
ETH + ZHA code collaboration
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A story in pictures of an architectural masterpiece and what would nowadays be considered absolute madness: from how the project won the competition to its adventurous construction
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A fully functional prestressed concrete slab with unique geometric features; prefabricated using 180 distinct 3D-printed formwork parts.
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Au sein de Mutations/Créations, Coder le monde présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l’histoire du code numérique et la manière dont le
exhibition
15 Jun 2018 - 27 Aug 2018 from 11 a.m. to 9 p.m.
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BMW and MIT's Self-Assembly Lab collaborate to design the first printed inflatable material. Self-Assembly Lab Team: Bjorn Sparrman, Shokofeh Darbari, Rami…
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3D printing applied to the construction sector offers many advantages, whether in terms of cost, time or durability of materials. The actors who have embarked on concrete additive manufacturing are more and more numerous, convinced of the benefits that 3D …
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Showreel from Fologram's workshop at CAADRIA, Tsinghua University, 2018. Workshop Team: Leaders: Cameron NEWNHAM, Gwyllim JAHN, Nicholas VAN DEN BERG Assistant:…
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The technological advancements shown are indeed remarkable, but there's a worrisome trend of confusing computational design with optimization (Topological Optimization in this case), adding the "Artificial Intelligence" as the new black (even if there's no evidence of such thing being actually present) - this is not the first case of such term misappropriation from the non-specialized media.
But keep in mind: optimization is definitely a computation-based process, but computational design is absolutely not limited to it.
PS: side note - in the video, the spread of desktop 3D printers is described as "a fad that peaked in 2014"
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AKTII Copyright IASS2017 Presentation Hamburg The structure of the Grand Theatre de Rabat - Morocco From digital design to local fabrication Nicolas Sterling…
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Elytra Filament Pavilion - V&A Museum London For full project infomation see: https://www.itke.uni-stuttgart.de/archives/portfolio-type/elytra-filament-pavilion-victoria-and-albert-museum…
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An unmissable resource to sharpen your skills:
Introduction to C# scripting and plugin development for Grasshopper
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Very little is known about the inner world of Turinese legend Carlo Mollino, but a new short film offers a private look into the life of the Italian architect and design enigma.
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Chris Williams is an Artistic Professor at the Department of Architecture and Civil Engineering, Chalmers University. Chris joined Ted Happold’s group at Arup in 1972 where he worked on Frei Otto’s Multihalle gridshells in Mannheim and was responsible for the structural analysis and physical model testing. In 1976 he came with Ted Happold to the Department of Architecture and Civil Engineering…
On February 2017 we had the huge honor to host Chris Williams for a workshop and a lecture in Bologna and were exposed for a little while to his incredible mind.
Read the interview and if you want to know more you can see the lecture he gave in Bologna here: https://www.youtube.com/watch?v=gGzBThFJG8g
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The 45,000 sq m King Abdullah Finance District (KAFD) metro station in Riyadh, Saudi Arabia, required ZHA to develop its own bespoke software to model the complex geometry. Stephen Cousin
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DigitalFUTURES - International PhD program at Tongji University - Applications by 1 May 2018 - Program Begins 23 June 2018
DigitalFUTURES - International PhD program at Tongji University - Applications by 1 May 2018 - Program Begins 23 June 2018
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Designers have the commitment of envisioning and pushing for possible futures. Not "THE future", but possible futures. "THE future" does not exists, there are only possible ones.
An excellent series of articles and first-hand reports on the drawing as a tool for dissection, investigation, creativity and research, revealing often forgotten links and paths and unsuspecting connections. What links Aldo Rossi with Jesse Reiser? Or Stan Allen with Rafael Moneo? How did Zaha embedded context relations in her drawings? Why were early Zaha and OMA sketches so similar that they could be mistakenly attributed?
This isn't a drawing revival nostalgic post, rather the opposite: an invitation to move beyond the drawing by understand contemporary medium and technium as the same kind of apparatus shaping our subject-knowledge and the object of our attention/creation with the same critical attitude and exploratory intent.